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Where: |
DownStage at L/A Arts
(Canal St. Alley, off of Pine St, Lewiston, Maine) |
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When: |
Feb. 6 & 7, 2010 (Saturday /
Sunday) |
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Times: |
9:30
am - 5 pm (both days) |
| Fee:
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$120 |
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Description
Schedule
Materials Needed
About the Instructor

 |
Description
Pat has taught
similar workshops at MeCA, (Maine College of Art) with great
success. This course is suitable for both beginners and people with
some drawing or portraiture experience.
This two-day, 12-hour
study of portraiture will begin with a study of the underlying
structure that the face covers, i.e., the skull. The students will
do many drawings from a real human skull, learning the form, the
proportions and the exact structure. This is the most important
part of the study, being the form on which,
and
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|
into which,
everything else is fitted. A self portrait will be done on tracing
paper over a front or ¾-view skull drawing that has been drawn,
fitting the features correctly over the skull drawing. The first
day will end with the study of facial features individually. The
instructor will give demonstrations of technique and students will
practice drawing each of the facial features: eyes, nose and mouth.
On the second
day, students will work from a model, doing charcoal drawings first and
then working with sepia and white pastel pencils or conté crayons on
toned paper. Throughout both days there will be as much individual
attention as time permits. Each day will end with a discussion of
what students have accomplished.
This workshop requires a minimum number of students
to sign on
and is restricted to a maximum of 15.
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Saturday |
|
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9 - noon |
Study of the skull:
structure, proportions and how facial features fit the skull
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Noon - 1 |
Lunch |
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1 - 3:30 |
Demonstration of technique
for rendering features. Preparations for Sunday’s class. |
|
3:30 - 4 |
Critique, discussion |
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|
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Sunday |
|
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9 - noon |
Drawing the model in sepia
and white on medium-toned paper (quick studies, then the beginning
of a finished drawing.) |
|
Noon - 1 |
Lunch |
|
1 - 3:30 |
Finishing the drawing.
Attention to details of features, techniques, corrections, and
expression. |
|
3:30 - 4 |
Critique, discussion |
First day: a drawing pad and 3-B
drawing pencils or charcoal pencils. A mirror and tracing paper.
Second day: 2 sheets of
Canson Mi Teintes “Moonstone” or tan colored paper, white and sepia
pastel pencils or conté sticks (or both the pencils and the sticks) and
erasers.
About the Instructor:

Pat was born and grew up in Maine. She
received her BFA in Illustration from the Rhode Island School of Design.
After several years of working in the commercial field, she and her family
moved to Minnesota, where she resumed an interest in Printmaking at the
Minneapolis College of Art and Design.
At that time Pat began to devote her time
to fine art again. Portraits replaced commercial art as the means by which
she supported herself and three children. Moving her family back to the
Mid-coast region of Maine in the early 1970’s, her portrait clientele grew
to include people throughout the United States as her work became known
among the summer residents.
She states, "I have been doing portraiture
professionally since the late 1950's. During that career, I have
continually sought to learn and to improve my technical skill, while
keeping to a traditional approach. Portraiture is one of the most ancient
of artistic forms. We seek to honor and remember those we love with images
of them. These images then become family heirlooms. For those reasons and
others, I approach each and every portrait with great seriousness and
respect. I regard it as a tribute that I have now done commissioned
portraits of two and three generations in some families. The ongoing
relationships with these families is one of my greatest rewards."

Learn more about Pat online at
www.chandlerfineart.com
or contact Pat with any questions: (207) 743-8033
pat@chandlerfineart.com
download a
flier about this workshop |