While the submission
forms are downloadable and can be filled out "by hand,' in truth we would
much prefer the information in electronic form as a file on your CD (.txt or
.rtf is best as this is most universally accepted on all computers and will
lead to the least amount of unreadable errors) or in the body of an email -
gallery5@laarts.org.
information to include
is:
Name:
Address:
City:
State:
Zip:
Phone number(s) w/ area code:
Email:
Website:
Social Security Number
(for 1099’s on sales over $600)(this can be "contact as needed"):
Are you interested in
participating in L/A Arts Gallery 5 Meet the Artist events during the
exhibition?
Will you take a turn staffing
the gallery (3 hour shifts) (Mon -Fri 5-8 pm, Sat 10- 1, 1 -4, 5-8)?
Artist's bio, (approx. 100):
Submission 1 (repeat below for up
to 4 submissions)
Title:
Medium, please be specific:
Dimensions in height x width,
framed:
Retail value (to include 30%
gallery commission):
Relevant information about
artwork, approx. 100 words (optional):
Pixels
exhibit:
January 29 - March 29, 2010
submission deadline: January 10, 2010 submission
form (pdf) - to accompany CD of images
Parts of a whole
Imagery including but
not limited to the digital world. Components, units, pieces, fragments.
Part of a greater image, a greater structure, or a greater vision.
…scapes
exhibit: April 2 - May 8, 2010
submission deadline: February 21, 2010 submission
form (pdf)
There are no limits
scape 3
(skāp)
n. A scene; a view. Often used in combination: seascape; mindscape.
A combining form extracted from landscape, denoting “an
extensive view, scenery,” or “a picture or representation” of such a view,
as specified by the initial element: cityscape; moonscape; seascape.
In Contrast
exhibit: May 28 - Jul 10, 2010
submission deadline: April 18, 2010 submission
form (pdf)
More than black and
white
Many things may be
stark opposites, with the contrast being apparent at first glance, while
other differences may be subtle, and require a second look. In
Contrast will explore these differences either visually or within a
deeper meaning.
