{"id":4394,"date":"2020-05-16T16:36:29","date_gmt":"2020-05-16T20:36:29","guid":{"rendered":"https:\/\/www.laarts.org\/artwalk\/?p=4394"},"modified":"2020-05-16T16:36:31","modified_gmt":"2020-05-16T20:36:31","slug":"alexandra-hood-2","status":"publish","type":"post","link":"https:\/\/www.laarts.org\/artwalk\/alexandra-hood-2\/","title":{"rendered":"Alexandra Hood"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Header” _builder_version=”3.22.7″ background_color=”#051864″][et_pb_row admin_label=”Header” _builder_version=”3.22.7″][et_pb_column type=”4_4″ _builder_version=”3.0.47″][et_pb_text admin_label=”2019 Art Walk Artists” _builder_version=”3.22.7″ header_font=”|800|||||||” header_4_font=”|800|||||||” header_4_text_align=”left” header_4_text_color=”#1fa2ed” header_4_font_size=”53px” saved_tabs=”all”]<\/p>\n

2020 Art Walk LA Artists<\/h4>\n

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Alexandra Hood<\/h2>\n

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Medium:<\/strong> Graphite, Pen and Ink<\/p>\n

Tell us about your work: <\/strong>Alexandra Hood earned her B.A. from Elmira College and currently works in her hometown of Lewiston, Maine. Focusing on realistic oil paintings and graphite portraits, Alexandra frequently explores the subjects of human connection and emotional transparency in her work. The depiction of money flowers, a popular theme in her paintings, reference the delicate relationship between materialism and our expressions of power and love. Alexandra’s portrait drawings manipulate the veil placed between the subject and the viewer, expressing or shielding the underlying fragments of our natural selves and peeling back the layers of personal identity. In recent work, her ballpoint pen studies focus on an artist’s deliberate observation of familiar subjects in nature. In these drawings she purposefully trains the viewer’s eye to otherwise overlooked and intimate details, allowing viewers to truly engage with the subject in front of them without the distractions of modern life. All botanical drawings are created on a light green cotton rag paper with deckled edges, creating a synergy between material and subject matter.<\/p>\n

Alexandra Hood has been included in multiple solo and group exhibitions between Maine, Upstate New York, and New York City. Alexandra currently works at Bates College as the Olin Arts Center Operations Supervisor.<\/p>\n

How to contact this artist: <\/strong><\/p>\n

Email: alexandra@alexandrahood.com<\/a><\/p>\n

Website: www.alexandrahood.com<\/a>  <\/p>\n

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Thank you to our 2020 Sponsors<\/h4>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.22.3″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.0.47″][et_pb_text _builder_version=”3.22.7″ text_text_color=”#051864″ header_text_color=”#051864″ text_orientation=”center” custom_margin=”-5px|||”]<\/p>\n

Champoux Insurance Agency<\/h1>\n

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City of Auburn<\/h1>\n

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Law Offices of Joe Bornstein<\/h1>\n

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Mechanics Savings Bank<\/h1>\n

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Norway Savings Bank<\/h1>\n

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Optometric Associates<\/h1>\n

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Sonder & Dram<\/h1>\n

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Twin City Financial<\/h1>\n

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Marquis Signs<\/h1>\n

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Panera Bread<\/h1>\n

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Hannaford Supermarket<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Medium: Graphite, Pen and Ink<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[45],"tags":[],"class_list":["post-4394","post","type-post","status-publish","format-standard","hentry","category-2020-artists"],"_links":{"self":[{"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/posts\/4394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/comments?post=4394"}],"version-history":[{"count":3,"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/posts\/4394\/revisions"}],"predecessor-version":[{"id":4404,"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/posts\/4394\/revisions\/4404"}],"wp:attachment":[{"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/media?parent=4394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/categories?post=4394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laarts.org\/artwalk\/wp-json\/wp\/v2\/tags?post=4394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}